Frederic Edwin Church
American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
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Frederic Edwin Church The andes of Ecuador oil painting


The andes of Ecuador
mk212 1855 Oil on canvas 48x75cm
Painting ID::  50528 		Frederic Edwin Church
The andes of Ecuador
mk212 1855 Oil on canvas 48x75cm
   
   
     
Frederic Edwin Church Dark oil painting


Dark
mk212 1860 Oil on canvas 40x64in
Painting ID::  50540 		Frederic Edwin Church
Dark
mk212 1860 Oil on canvas 40x64in
   
   
     
Frederic Edwin Church a country home oil painting


a country home
mk247 1854,oil on canvas,32x51 in,81.5x130 cm,seattle art museum,seattle,wa,usa
Painting ID::  56235 		Frederic Edwin Church
a country home
mk247 1854,oil on canvas,32x51 in,81.5x130 cm,seattle art museum,seattle,wa,usa
   
   
     
Frederic Edwin Church Wild twilight oil painting


Wild twilight
mk250 The 1860s. Oil painting on fabric, 101.6 x 162.6 cm. Ohio Cleveland Museum of Art.
Painting ID::  56929 		Frederic Edwin Church
Wild twilight
mk250 The 1860s. Oil painting on fabric, 101.6 x 162.6 cm. Ohio Cleveland Museum of Art.
   
   
     
Frederic Edwin Church The Andes of Ecuador oil painting


The Andes of Ecuador
Medium oil on canvas Dimensions cm
Painting ID::  69298 		Frederic Edwin Church
The Andes of Ecuador
Medium oil on canvas Dimensions cm
   
   
     
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     Frederic Edwin Church
     American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour

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